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Featured Articles
“WHAT A WORLD”: RECREATING RAYMOND CHANDLER’S LOS ANGELES FOR “FAREWELL, MY LOVELY”
Sadhana Giri
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February 15, 2024
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THE BEST MOVIES YOU’VE NEVER HEARD OF (SPECIAL HALLOWEEN EDITION): “THE CAT AND THE CANARY” (1939) OR “HOW HORROR MOVIES SAVED BOB HOPE’S HOLLYWOOD...
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SADATSUGU MATSUDA – THE MOST SUCCESSFUL DIRECTOR OF JAPAN’S GOLDEN AGE OF CINEMA
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A Special Report: Streaming, Physical Media, and the Future of Home Video
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LEE MARVIN – POINT BLANK: “THESE HORRIBLE, ANIMAL MEN”
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Special Report: The Decline of Physical Media and the Rise of Illegal Torrents
Ashish Dahal
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February 10, 2024
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His Lunches with Orson – Henry Jaglom Remembers Orson Welles
Ashish Dahal
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February 10, 2024
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Special Report: Criterion’s Reconstruction of “It’s a Mad Mad Mad Mad World”
Ashish Dahal
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February 9, 2024
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Of Foxes and Hedgehogs: A Review of “Silent Ozu: Three Crime Dramas”
Ashish Dahal
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February 9, 2024
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Chitty Chitty Bang Bang and Other Flying Cars of Cinema
Ashish Dahal
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February 9, 2024
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The Best Movies You’ve Never Heard Of: “Return to Oz” (1985)
Ashish Dahal
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February 9, 2024
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A Tribute to Harold Ramis: “Ten Reasons Why ‘Caddyshack’ May Be the Best Summertime Comedy Ever”
Ashish Dahal
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February 9, 2024
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Walter Mitty And Other Daydreamers
Mandip
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February 8, 2024
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Edward Dmytryk: A Worthy Reexamination
Ashish Dahal
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February 7, 2024
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R.I.P., Stan Freberg: An Appreciation
Ashish Dahal
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February 5, 2024
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The Noir Trilogy of Orson Welles
Ashish Dahal
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February 5, 2024
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Perils of the Amazon
Ashish Maharjan
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February 3, 2024
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